article placeholder

Apocalypse Child – Review

Apocalypse Child is a film about Ford, an experienced surfing instructor who has always been told his father was Francis Ford Coppola. Yes, the Francis Ford Coppola, who directed Apocalypse Now in the...
article placeholder

Kedi – Doc/Fest 2016 Review

It's been said that the age of the Internet has much in common with Ancient Egypt: everybody spends their time writing on walls and worshipping cats. Ceyda Torun’s film Kedi seems at first to be an...
article placeholder

Embrace Of The Serpent – Review

Norman Vincent Peale's most notable quote is "Shoot for the moon. Even if you miss, you'll land among the stars” - a warming sentiment now widely observed on cards, mugs and viral Facebook posts. When films...
article placeholder

Holding The Man – Review

Stick with Holding The Man; what starts as an awkward school-day skit (Corr and Stott are as convincing teenagers as Hill and Tatum are in Jump Street) becomes a touching story with superb lead and supporting...
article placeholder

Race – Review

Race tries to present itself as a spiritual companion to Creed, but ultimately feels more like The Help: a movie about race which feels deathly afraid of its own subject matter. Stephan James acquits himself...
article placeholder

Tallulah – Sundance London Review

It should come as no surprise that Orange is the New Black alum Heder can take an improbable premise and spin it into a genre-defying tale. Thriller elements including a tense final act and overly bombastic...
article placeholder

The Nice Guys – Review

Shane Black is in his zone. Creating a buddy comedy that boasts flawed characters with a wicked sense of humour is Black's specialist subject. Whilst not quite hitting the heights of Kiss Kiss, Bang...
article placeholder

Weiner – Sundance London Review

What’s in a name? Not much. Unless that name is Weiner. Directors Kriegman and Steinberg gain unparalleled access to the disgraced dick-pic Democrat as he runs for New York mayor. Their intimate approach...
article placeholder

Warcraft – Review

The fact that director Duncan Jones has hammered any kind of story out of one of the most popular videogames of all time is impressive, but Warcraft goes one better and manages to be pretty damn entertaining....
article placeholder

Money Monster – Review

For most of its 100-minute runtime, Money Monster is on the verge of becoming a truly great satire. An intimate hostage situation explodes into a media circus that feels like Network as written by Charlie...