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Suk Suk – Berlinale 2020 Review

Pak (Tai Bo) is a taxi driver entering his twilight years yet still providing for his family. A long-closeted gay man, he spends his lunch breaks cruising in parks and public bathrooms. When he meets retiree...
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Hidden Away – Berlinale 2020 Review

Biopics are tricky; there is a balance to strike between comprehensively covering the subject's entire life and picking a dramatically satisfying theme and tone. Hidden Away reaches for the former but brings...
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Marighella – Berlinale 2019 Review

Democracy only returned to Brazil in 1989, but the threat of another backslide into authoritarianism is dangerously imminent today. Far-right agitator Jair Bolsonaro was elected president in January 2019 and...
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Synonymes – Berlinale 2019 Review

Many films have explored the physical, mental, and emotional toll of starting a new life – whether by choice or force – in a foreign country. Joining this particular brand of coming-of-age story is...
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Woo Sang – Berlinale 2019 review

The opening line of Woo Sang must be one of the boldest in recent memory. As the camera sweeps ominously across a modern cityscape, narrator and grieving father Yoo Joong-sik (Sul Kyung-gu) drops his...