On Baz Luhrmann’s Romeo + Juliet and Growing Up Lydia Rostant March 25, 2022 Features “Stars collide, worlds divide/What a pretty piece of flesh/You are a pretty piece of flesh” —One Inch Punch, 'Pretty Piece of Flesh' There are films that are difficult to write about. Sometimes...
ORWAV’s Top 20 Films of 2021: #1 – Petite Maman Anna McKibbin December 31, 2021 Analysis, Features, Top 10 As Nelly (Joséphine Sanz) sleeps securely in her mother’s arms, a bright circle of light skittishly bounces across the door, its glow illuminating the murky shape of a key. Nelly and Marion (Gabrielle Sanz)...
ORWAV’S Top 20 Films of 2021: #2 – The Green Knight Carmen Paddock December 31, 2021 Analysis, Features, Top 10 Recent cinema has been marked by its reckoning with myths and legends: some based in truth, some overt fabrications, some lost to time, some painfully traceable. Spencer tackles the Royal Family; Dune brings a...
ORWAV’s Top 20 Films of 2021: #3 – Limbo Anahit Behrooz December 31, 2021 Analysis, Features, Top 10 There is something deliriously off-kilter about Limbo, Ben Sharrock’s absurdist comedy about a group of asylum seekers awaiting processing on a remote Scottish island. Nothing is ever quite right. In its...
ORWAV’s Top 20 Films of 2021: #4 – Another Round David Brake December 31, 2021 Analysis, Features, Top 10 “To alcohol! The cause of, and solution to, all of life's problems.” In The Simpsons episode titled ‘Homer vs. the Eighteenth Amendment’, after battling humourless lawman Rex Banner, Homer Simpson...
ORWAV’s Top 20 Films of 2021: #5 – The Power of the Dog Tom Bond December 31, 2021 Analysis, Features, Top 10 A darkened interior frames a lone man striding across a dusty plain. It’s one of the most well-worn images in cinema, and it provides a powerful visual shorthand for the themes of any Western: domesticity vs...
ORWAV’s Top 20 Films of 2021: #6 – Nomadland Scott Wilson December 31, 2021 Analysis, Features, Top 10 Best Picture. Best Director. Best Actress. Winning over 100 awards in total, Nomadland’s success at the Oscars may have seemed, ultimately, inevitable, but there was still a surge of warranted joy when...
ORWAV’s Top 20 Films of 2021: #7 – C’mon C’mon Scott Wilson December 31, 2021 Analysis, Features, Top 10 In a conversation with musician David Byrne, director Mike Mills said it’s his natural urge to make every film feel like the chorus of a song. Choruses are often the zeniths of a song. A wondrous combination...
ORWAV’s Top 20 Films of 2021: #8 – First Cow Louise Burrell December 31, 2021 Analysis, Features, Opinion With an outpouring of festival and critics’ awards over the last 18 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations in early...
ORWAV’s Top 20 Films of 2021: #9 – Spencer Calum Baker December 30, 2021 Analysis, Features In its interminable wardrobing, lavish setting and populist pro-Princess pitch, Spencer would seem to perfectly embody what Christopher Hitchens once labelled the “kitsch iconography” that surrounds its...
ORWAV’s Top 20 Films of 2021: #10 – Sound of Metal Rachel Brook December 30, 2021 Analysis, Features, Top 10 The best films of 2021 marshalled all of the techniques of cinema to tell their stories in ways that could only be achieved within the medium of film. The Father mastered editing and production design, using...
ORWAV’s Top 20 Films of 2021: #20 to #11 David Brake December 30, 2021 Analysis, Features, Top 10 Well, 2021 wasn't the improvement we all deserved after a dire 2020. Perhaps that was just wishful thinking. I sincerely hope that you and your family are safe and well, as we prepare to enter year three of...
Portrait of Kaye: Ben Reed on the Moral Quandaries of the Documentary Form Lydia Rostant June 9, 2021 Features, Independent, Interview There is a common misconception in filmmaking which presumes the director to have total and divine confidence in both their subject matter, and the various processes by which they tell the story. Ben Reed’s...
A Beginner’s Guide To… Douglas Sirk Joseph Bullock June 6, 2021 A Beginner's Guide To..., Analysis, Features Douglas Sirk is a tough sell in a cynical age. Perhaps he would be in any. His plots are often shallow and seeped in wish-fulfilment; the performances are overwrought and slightly archaic; his sets, despite...
The Quiet Power of Isla Badenoch’s The Elvermen At Sheffield DocFest Lydia Rostant June 6, 2021 Features, Independent, Interview In Isla Badenoch’s The Elvermen, fish are the size of men and men are of mythical proportions. The film (which premiered on June 5, 2021 at Sheffield DocFest), was shot in a narrow window of time, between...