article placeholder

Nanny – Sundance 2022 Review

Awarded with Sundance 2022’s Grand Jury Prize in the U.S. Dramatic category, Sierra Leonean-American writer-director Nikyatu Jusu’s Nanny is a chilling account of Black immigrant mothers’ sociopolitical...
article placeholder

The Tragedy of Macbeth – Review

This film was previously reviewed in September 2021 as part of our New York Film Festival coverage. The Tragedy of Macbeth marks Joel Coen’s dual venture into a metatextual adaptation of William...
article placeholder

C’mon C’mon – Review

This film was previously reviewed in October 2021 as part of our New York Film Festival coverage. C’mon C’mon is writer-director Mike Mills’ tender, bittersweet coming-of-age docudrama that continues...
article placeholder

Drive My Car – NYFF 2021 Review

Inspired by author Haruki Murakami’s short story of the same title, writer-director Ryusuke Hamaguchi’s Cannes Best Screenplay winner Drive My Car is an avant-garde metatextual curation interweaving...
article placeholder

Zola – Review

Adapted from the viral Twitter thread in 2015 by A’Ziah King – a Detroit stripper who goes by “Zola” as her 148-tweet real-life story's protagonist – director Janicza Bravo and playwright Jeremy O....
article placeholder

Old – Review

Inspired by author Pierre Oscar Lévy and artist Frederik Peeters’ French graphic novel Sandcastle, Old is the visionary auteur M. Night Shyamalan’s latest venture into the age-old philosophical debate...
article placeholder

Shiva Baby – Review

Writer-director Emma Seligman’s loosely autobiographical debut feature Shiva Baby is a concise yet all-encompassing snapshot of the zeitgeist generations’ intersectional anxieties compounded by nihilism...
article placeholder

The Woman in the Window – Review

Despite director Joe Wright’s aesthetically-pleasing visual storytelling, cinematographer Bruno Delbonnel’s thoughtful coordination of symbolic framing and lighting, and a stellar cast attempting to...
article placeholder

Nomadland – Review

This film was previously reviewed in September 2020. Writer-director-editor Chloé Zhao’s genre experimentation within the poetic docudrama has come to technical fruition in Nomadland, elevating her to...
article placeholder

Palm Springs – Review

Apparently conceptualised upon Groundhog Day, Palm Springs is director Max Barbakow and writer Andy Siara’s subversive foray into the romcom genre set in an infinite time loop. This meaty genre subversion...
article placeholder

Mulan – Review

“Loyal, Brave, True” (忠勇真) are the three words engraved on the Hua family sword, comprising Mulan’s central motif that in turn reflects this live action remake’s reexamination of what constitutes...