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Zoolander 2 – Review

Zoolander 2 boasts a plot far sillier than its predecessor – no mean feat, but very much a good thing – and is far more interested in drama and action. These latter elements are less successful, as...
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The Danish Girl – Review

We’ve come a long way since the days of Lili Elbe and Gerde Wegener. Transgender issues that made chaos of their lives now have mainstream acceptance, but Hooper’s direction is refreshingly frank about how...
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Carol – Review

Every now and then a film makes you fall in love with cinema all over again. Often it’s hard to explain why. Maybe it’s the glimmering, burnished beauty of the cinematography. Maybe it’s the guiding...
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The Good Dinosaur – Review

It’s impossible to rave enough about the elemental beauty of The Good Dinosaur. In its sunlight-speckled vistas it recalls Lord of the Rings; in its swaying fields, Malick; and in its rain-soaked grit,...
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Bridge of Spies – Review

For someone so universally loved, Steven Spielberg can be quite a divisive director. Sometimes his sentimentality and upstanding morals warm your heart, and sometimes they stick in your throat. Bridge of Spies...
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Who is the Best Bond?

With the Spectre of the next Bond film looming on the horizon, here at ORWAV we've been revisiting that age-old question: just who is the best Bond*? Is it Sean Connery, the man who defined the role? Or...
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Steve Jobs – LFF Review

What Steve Jobs does best is selling the vision of Steve Jobs. A carnivorous, heartless ego has never looked more appealing or lonely. Fassbender is supreme, bristling with authority and an unquenchable...