White Noise – Review Tom Bond December 2, 2022 Reviews This film was previously reviewed in September 2022 as part of our Venice Film Festival coverage. Don DeLillo’s novel White Noise (1985) depicts an era where the relative security of Western middle class...
Bones and All – Review Tom Bond November 25, 2022 Reviews This film was previously reviewed in September 2022 as part of our Venice Film Festival coverage. With Bones and All, Luca Guadagnino combines the romantic coming-of-age story of Call Me By Your Name with...
All the Beauty and the Bloodshed – Venice Film Festival 2022 Review Tom Bond September 9, 2022 Reviews The opioid crisis has long been an overlooked rot in the heart of the U.S., and Laura Poitras’s thunderous documentary tackles it with compassion and innovation. She takes an oblique approach, focusing...
Blue Jean – Venice Film Festival 2022 Review Tom Bond September 3, 2022 Reviews Blue Jean announces the arrival of a major talent in writer/director Georgia Oakley’s feature debut. It’s hard to believe she wasn’t even born in 1988, when this film is set, considering how...
Bardo – Venice Film Festival 2022 Review Tom Bond September 3, 2022 Reviews One can’t help but wonder if Netflix’s much-publicised recent financial troubles are down to business decisions like giving Alejandro G. Iñárritu millions to make Bardo, rather than just sending him to a...
Living – Venice Film Festival 2022 Review Tom Bond September 1, 2022 Reviews It’s hard to imagine a more perfect choice to adapt Kurosawa’s iconic Ikiru (1952) than Kazuo Ishiguro. Born in Japan but raised in the UK since the age of 5, the Nobel Laureate bridges both cultures,...
Parallel Mothers – Review Tom Bond January 29, 2022 Reviews This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. Parallel Mothers is a twisting tale of two single mothers, Janis (Penélope Cruz) and Ana (Milena Smit),...
ORWAV’s Top 20 Films of 2021: #5 – The Power of the Dog Tom Bond December 31, 2021 Analysis, Features, Top 10 A darkened interior frames a lone man striding across a dusty plain. It’s one of the most well-worn images in cinema, and it provides a powerful visual shorthand for the themes of any Western: domesticity vs...
The Lost Daughter – Review Tom Bond December 17, 2021 Reviews This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. Directing your debut feature as an established actor has its pros and cons. You can call in favours to land...
The Power of the Dog – Review Tom Bond November 18, 2021 Reviews This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. Jane Campion’s latest film, an adaptation of Thomas Savage’s The Power of the Dog, is a masterful...
The Card Counter – Review Tom Bond November 5, 2021 Reviews This film was previously reviewed in September 2021 as part of our coverage for Venice Film Festival. The Card Counter marks a highly anticipated return for Paul Schrader, after his career-best First...
Spencer – Review Tom Bond November 4, 2021 Reviews This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. Pablo Larraín’s Princess Diana biopic, Spencer, gets about as far away from a cradle-to-grave template as...
Last Night in Soho – Review Tom Bond October 29, 2021 Reviews This film was previously reviewed in September 2021 as part of our Venice Film Festival coverage. Last Night in Soho starts shakily, with the slow establishment of Ellie’s (Thomasin McKenzie) move to...
Freshman Year – Review Tom Bond September 27, 2021 Reviews The college coming-of-age story is such a tried-and-tested subgenre that it’s impressive when someone offers a new take. Freshman Year, the debut feature from writer, director and lead, Cooper Raiff, shows...
The Falls – Venice 2021 Review Tom Bond September 13, 2021 Reviews There are sure to be countless Covid films tackling the biggest global disruption of our lifetimes, and The Falls takes an interesting approach, relegating this cataclysm to a sub-plot. We begin in Taipei,...