The Real Charlie Chaplin – Review Louise Burrell February 9, 2022 Reviews Directors Peter Middleton and James Spinney take on the unenviable task of trying to dissect the life of a man who was once one of the most famous people on the planet. While Chaplin carved out his own style...
ORWAV’s Top 20 Films of 2021: #8 – First Cow Louise Burrell December 31, 2021 Analysis, Features, Opinion With an outpouring of festival and critics’ awards over the last 18 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations in early...
Wildfire – Review Louise Burrell September 2, 2021 Reviews This film was previously reviewed in October 2020 as part of our London Film Festival coverage. Wildfire bursts onto the screen with Kelly (the late Nika McGuigan) returning home a year after being reported...
People Just Do Nothing: Big in Japan – Review Louise Burrell August 24, 2021 Reviews TV-to-film comedies don’t have the most inspiring of track records. Where writers can pack a 30-minute episode with laughs, they often find themselves stretched very thin across 90 minutes. One of the...
Deerskin – Review Louise Burrell July 15, 2021 Reviews Tearing through its meagre 77-minute runtime, Deerskin wastes no time on plot set-up. It becomes quickly apparent that the storyline simply consists of: man buys deerskin jacket, man believes deerskin jacket...
Supernova – Review Louise Burrell June 25, 2021 Reviews This film was previously reviewed in October 2020 as part of our London Film Festival coverage. Director Harry Macqueen’s second feature explores the well-trodden theme of terminal illness through the...
After Love – Review Louise Burrell June 4, 2021 Reviews This film was previously reviewed in October 2020 as part of our London Film Festival coverage. Writer-director Aleem Khan’s feature debut focuses on Mary (Joanna Scanlan), a woman who discovers that her...
Wild Mountain Thyme – Review Louise Burrell May 2, 2021 Reviews Two childhood sweethearts (Emily Blunt and Jamie Dornan) who have never quite managed to express their love for one another find themselves mixed up in a dispute over their families’ farmland. That is...
Red Moon Tide – Review Louise Burrell April 23, 2021 Reviews While we await the reopening of cinemas across the UK, MUBI are currently releasing some of the most interesting new films for home viewing. New to the platform is Red Moon Tide, Lois Patiño’s...
Thunder Force – Review Louise Burrell April 11, 2021 Reviews Another week, another Netflix original. With the average and distinctly below-average features mounting up for the streaming service, Thunder Force is yet another total misstep to add to the pile. This time we...
Why First Cow Was The Biggest Oscar Snub This Year Louise Burrell March 27, 2021 Analysis, Features, Opinion With an outpouring of festival and critics awards over the last 12 months, it seemed almost certain that Kelly Reichardt’s stunning First Cow would garner a handful of Academy Awards nominations. But in a...
My Father and Me – Review Louise Burrell March 19, 2021 Reviews A veteran documentarian whose career started in the early ‘70s, Nick Broomfield’s best known work includes Kurt & Courtney, Aileen: Life and Death of a Serial Killer, and Whitney: Can I Be Me. His...
ORWAV’s Top 20 Films of 2020: #5 – The Lighthouse Louise Burrell December 29, 2020 Analysis, Features, Top 10 Mermaids, one-eyed seagulls, and glimpses of sea monsters; Robert Eggers’ The Lighthouse is anything but a mainstream horror. This undeniably weird film landed in the UK in the “normal” part of 2020,...
The Witches – Review Louise Burrell October 25, 2020 Reviews 30 years after Nicolas Roeg’s terrifying take on The Witches comes Robert Zemeckis’ 2020 version. With the 1990 version still much-loved (and much-feared), Zemeckis had quite a hurdle to get over, and...
Rebecca – Review Louise Burrell October 24, 2020 Reviews “I don’t believe in ghosts” declares Lily James, as her Mrs. de Winter sets off for a new life in Manderley. And yet this is a film undeniably haunted by the looming spectre of Hitchcock’s 1940 Best...