Truth, Lies, and Cinema: A Brief History of Cinematic Propaganda Ellena Zellhuber-McMillan April 24, 2019 Analysis, Features, One Off Film is uniquely suited to act as a vehicle of propaganda; its combination of visual and audio storytelling makes it effective for audiences of different ages and literacy levels. Propaganda is about creating...
Still Creating Musical Fusion: School of Rock Turns 15 Ellena Zellhuber-McMillan October 3, 2018 Features, Love Letter, Nostalgia When it came out in 2003, School of Rock was deemed a "sleeper hit". Though it was obviously intriguing enough to investors, it does sound pretty unremarkable: washed-up musician tries to teach preppy kids how...
Mamma Mia! at 10: A Fun, Feminist Legacy Ellena Zellhuber-McMillan July 17, 2018 Features, Love Letter, Nostalgia The faults of Mamma Mia! are well known; the singing is bad, the choreography is simple, and the plot is weak. Its strengths, on the other hand, are barely mentioned – strange for a film that made...
Jane Campion’s The Piano, 25 Years On Ellena Zellhuber-McMillan June 14, 2018 Features, Spotlight Arriving in the midst of a new era of feminism and a heightened awareness how the film industry treats women, the rerelease of Jane Campion’s 1993 film The Piano feels well-timed. The film, a Victorian...
Spotlight: Taika Waititi Ellena Zellhuber-McMillan October 24, 2017 Analysis, Features, Spotlight On October 23, Taika Waititi’s Thor: Ragnarok will premiere. As a fellow Kiwi, it has been fascinating to watch the world embrace Waititi. His talent is undeniable. I have already written a love letter to...
More Than a Laugh: Hot Fuzz Turns 10 Ellena Zellhuber-McMillan April 19, 2017 Features, Love Letter, Nostalgia Pure comedies don’t take much home come awards season. This makes sense if you're talking about the factory line of studio comedies, but in the case of Edgar Wright’s Hot Fuzz, it's an outrage. No comedy...
What Makes a Great Biopic? Ellena Zellhuber-McMillan February 17, 2017 Analysis, Close-Up, Features While the quality often varies, biopics are a staple of film. There are good biopics, and some are even great, but they often lack the daring, innovation and uniqueness of their subjects. They can too...
Adam Driver: From Soldier to Sith Lord Ellena Zellhuber-McMillan November 24, 2016 Analysis, Features, Spotlight Adam Driver is an actor we just keep seeing more of. Ever since his breakout role in Lena Dunham’s Girls, Driver has quietly been gracing our screens in many different roles, culminating in his blockbuster...
Swiss Army Man – Review Ellena Zellhuber-McMillan October 3, 2016 Reviews Swiss Army Man is without a doubt an odd film, however it would be a mistake to write it off - as others have - for purely that reason. The oddest thing about it is that Daniel Radcliffe plays a farting...
How Kids’ Films Have Changed in the 20 Years Since Matilda Ellena Zellhuber-McMillan August 2, 2016 Analysis, Close-Up, Features On the 20th anniversary of Danny DeVito’s Matilda, it is obvious that there has been a distinct change in mainstream children’s film. Animation has overtaken live action, child stars have been replaced by...
Nicholas Hoult: From Supporting Boy to Leading Man? Ellena Zellhuber-McMillan April 20, 2016 Analysis, Features, Spotlight Though it’s been 14 years since About a Boy, for some of us Nicholas Hoult will forever be sweet and strange Marcus Brewer. Though not quite Hoult’s first film role (he was a supporting actor in 1996’s...
How To Be Single – Review Ellena Zellhuber-McMillan February 20, 2016 Reviews Blending the clichéd with the new, How To Be Single is a surprise but not a revelation. Mann and Wilson each do what they do best, both providing great physical comedy as well as more heartfelt...
Grandma – Review Ellena Zellhuber-McMillan December 12, 2015 Reviews Grandma is a film with a lot of ambition; with its strong female characters and name-dropping of classic feminist texts, it tries very hard to be clever and spunky. It does have its moments: Lily Tomlin is...
Love the Coopers – Review Ellena Zellhuber-McMillan December 6, 2015 Reviews Though advertised as a family comedy, Love the Coopers has a sad undertone, which might be too close to home for some. This isn’t to say the film skimps on Christmas corn, which undoes the good work of the...
The Dressmaker – Review Ellena Zellhuber-McMillan November 14, 2015 Reviews The opening sequence of The Dressmaker is as beautiful as it is cliché, giving little hint of the zany and absurd story that follows. What stops The Dressmaker from being a stand out film is the storytelling...