article placeholder

Trainwreck – Review

The love story of Amy (Schumer) and Aaron (Hader) follows the genre's traditional arc while putting the emphasis heavily on the com in rom-com. Playing the lead on screen and paper, Schumer is a tour de...
article placeholder

The Man From U.N.C.L.E. – Review

If this is how Ritchie and Cavill Bond, we’re lucky they never did. Aside from a microdot of genuine excitement and energy, U.N.C.L.E. is a masterclass in mundane, insubstantial espionage. U.N.C.L.E....
article placeholder

Entourage – Review

It's ironic that a film partly about the excesses of Hollywood has so much excess baggage - doubly so when this includes a contrived subplot concerning the film-within-a-film needing some of its weaker...
article placeholder

Heavenly Sword – Review

How a CG movie can be released eight years after the video game it’s based on and have significantly worse graphics, not to mention story and characterisation, is unfathomable. Yet Heavenly Sword is just...
article placeholder

Pitch Perfect 2 – Review

Anna Kendrick and her singing sisters are back. This time competing against a superior German group in a series of increasingly impressive arrangements and routines. Routine is the operative word and "second...
article placeholder

A Royal Night Out – Review

A Royal Night Out takes two happy-go-plucky princesses from the Ritz to the rubble. V.E. Day in London is thoroughly recreated with tremendous production and costume design, lending to an all-encompassing...