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Sócrates – Review

Sócrates opens with a death, or rather a specific moment after that death. An abrupt cut shows us, in closeup, a woman laid on her back, eyes closed, with someone else’s hand touching her forehead and...
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The Dead and the Others – Review

This film was previously reviewed in May 2018 as part of our Cannes Film Festival coverage. The Dead and the Others is a complex creation from directors Joao Salaviza and Renee Nader Messora, which can’t...
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Inferninho – BFI Flare 2018 Review

There aren’t enough films like Inferninho. It’s a small tale with an immense capacity for empathy. Set almost entirely in the titular bar that caters to a group of outsiders, which counts among its staff...
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Aquarius – Review

Kleber Mendonça Filho returns to the north-eastern Brazilian state of Pernambuco to vent his anger at the redevelopment of one of its coastal towns. His condemnation comes in the form of an intimate personal...
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Neon Bull – LFF Review

Set in the rural north east of Brazil at a traditional rodeo, Neon Bull has the potential to be an engaging film – particularly with the addition of the lead Iremar’s subversive interest in costuming. It...
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The Zero Theorem – Review

The Zero Theorem is unmistakably a Terry Gilliam film, for better or worse. He has created a deliciously chaotic dystopia, saturated with colour and adverts, but his ramshackle directing threatens to disengage...