article placeholder

The Meg – Review

Through the annals of time there have been tales of man pitting himself against monster, with fictional clashes of monolithic proportions rife throughout history. Hercules against the Hydra and David versus...
article placeholder

The Week Of – Review

As we reach the fourth instalment in his now eight-movie deal with Netflix, Adam Sandler’s position in the pantheon of comedic greats has never been more contentious. For every Punch-Drunk Love there’s...
article placeholder

Come Sunday – Review

After Netflix boasted 700 original releases for 2018 at a cost of $8 billion, the film and TV streaming powerhouse has been making good on that promise, with new thumbnails continuously being added to an...
article placeholder

Molly’s Game – Review

Having been a Hollywood staple for what seems like an eternity, it's almost inconceivable that Aaron Sorkin has taken so many years to move into direction. With his Oscar-winning prose, defined by its...
article placeholder

Deliver Us (Liberami) – Review

The art of documentary-making has been trending to harrowing new extremes in recent years, potentially due to the prevalence of true crime content – be it the podcast Serial or Netflix’s Making a Murderer...
article placeholder

The Snowman – Review

Ah, the Scandinavian noir-thriller, a BBC4 staple, the type of prestige show Mum and Dad recommend each time you catch up. Hyper-stylish, immensely clever and completely engrossing – safe to say, one of the...